Luo is a lecturer with a master's degree. She is engaged in modern and contemporary Chinese Literature, and offers courses including Language and Literature Teaching, Intercultural Communication, Urban Modernity and Chinese Literature in the 20th Century, and Chinese Romance Literature in the 20th Century.
Publications: Xu Anhua's Three Violence, Southern Cultural Forum, Vol. 4, 2019; Evolution of Local, Exotic and Formal: From Shi Zhecun's Wife, Journal of Shanghai University (Social Science Edition), Vol. 1, 2020
Papers: Laughter in Modern China, Wenhui Scholars, November 15, 2019; Zhang Shewo and Emotional Mechanics: Theoretical Translation and Configuration of Short Stories in the Early Republic of China, Dongyue Tribune (CSSCI), Vol. 12, 2016; Transnational Perspectives: Family and Love in Popular Literature in the Early Republic of China, Journal of Sun Yat-sen University/Social Science Edition (CSSCI), Vol. 6, 2016; From Saturday to Saturday School: An Analysis of the New/Old Literary and Artistic Contention in the Early 1920s, Theoretical Studies In Literature and Art (CSSCI), Vol. 5, 2016
China: Suspended Signifier: A Review of Han Rui's Imaginary Manchus: Sympathy, Modernity and Chinese Pain, China Studies, Vol. 6 (June 2015); Allegorical China: Urban and Rural Schools of the Fifth Generation Films, Library Journal (CSSCI), Vol. 6, 2015; Animal Discourse and Humanistic Symptoms in Contemporary Literature and Art (second author), Shanghai Culture, Vol. 11, 2014; Split of Gangs: Nonsensical Variations of Hong Kong Gangster Films, Library Journal (CSSCI), Vol. 5, 2014; Nora as Method, Journal of Modern Chinese Studies, Vol. 2, 2014; Spatial Representation of Flowers of Shanghai: Chang San Shu Yu and Yi Li Yuan, Journal of Modern Chinese Studies, Vol. 6, 2010.
